Art Teacher Toolbox
Art Concepts
Please
note: this page is incomplete and will be finished sometime in the fall
of 2001.
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Line |
Experiment with: pattern, thickness, curves, cross-hatching, creating texture | Leonardo Da Vinci
Wassily Kandinsky Joan Miro Henri Rousseau Piet Mondrian Vincent van Gogh Ichiryusi Hiroshige |
Shape or Form |
Any two
dimensional area with a recognized boundary.
The edge implies a line. Experiment with: abstract, geomentric, recognizable, exaggerated. |
Georges
Braque Houses at L'Estaque
Wayne Thiebaud Pie Counter |
Value |
Shading,
depth of color
Gives shapes dimension Range of light and dark |
Wayne
Thiebaud Pie Counter
Marcel Duschamp Chocolate Grinder No. 1 Paul Cezanne Edward Hopper Early Sunday Morning |
Color |
Primary
colors: red, yellow, blue
Secondary colors: orange, green, purple Complimentary colors are opposite on the wheel. |
Vincent van Gogh, Edward Hopper Early Sunday Morning, Marc Chagall, Frantisek Kupka Disks of Newton, Franz Mark, Helen Frankenthaler Cravat |
Detail |
The little,
specific touches put into rendering
Attention to the smaller areas of an object |
Graeme
Base Animalia
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Composition |
How all
the shapes are designed on a page.
Consider if the piece is balanced. Try to fill up the page. Use a variety of shapes. |
Piet Mondrian
various paintings
Georgia O'Keefe various flower paintings Paul Gauguin Vision After the Sermon 1888 Van Gogh Starry Night |
Space and Perspective |
Space
is thought of as the emptiness that surrounds objects. A sense of space
helps to provide perspective.
Create perspective by: --overlapping objects --different sizes --perspective planes |
Andrew
Wyeth
Grant Wood American Gothic Charles Demuth I Saw the Fighure 5 in Gold Giorgio de Chirico The Melancholy and Mystery of a Street Raphael School of Athens |
Positive and Negative Space |
Positive
spaces are the shapes
Negative space refers to the areas around the shapes Paying attention to the negative space helps to define the shapes Pay attention to balance between the two |
Mary Cassatt
Girl in Blue Armchair
Paul Gauguin Vision After the Sermon 1888 |
Texture and Movement |
Charles Demuth I Saw the Fighure 5 in Gold | |
Rhythm and Pattern |
Henri Matisse
Ivy in Flower
Charles Demuth I Saw the Fighure 5 in Gold Wayne Thiebaud Pie Counter Edward Hopper Early Sunday Morning |
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Variety |
Consider using variety in: color, size, shape, and detail | |
Proportion |
How parts relate to one another in size. | Diego Riviera |
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©2001 Jennifer MacLeod